Due to the nature of the talk, this session is only available on a face-to-face basis and not via a video link. A three and a half hour, participatory discussion exploring the differences in writing for the page as opposed to writing for the screen. Using my own novel, Ladies of the Shire, which was originally written as a screenplay, and using the group as the cast, we will compare and contrast the different disciplines required to produce a screenplay from a novel. A sometime irreverent, often amusing but highly instructive session, we will discover some of how the film business works, practise the art of 'the pitch', try to find out what it is book publishers look for in a 'best seller', deconstruct a script and probably come to the firm realisation that William Goldman had it right when he wrote, 'In Hollywood nobody knows nothin'' I supply all material for this exercise (novel read-outs and scripted pages) and, in a more serious tone, you'll need to bring along your creative head so that, hopefully, together we will come to a fuller understanding of how to take the right approach for your writing style and your story ideas.
Views: 749 | Enquiries: 0I'm a published author of three novels and have written plays, musicals and screenplays.
I’m an actor and musician (drummer - 60s thro' to the 00s) and my chequered career has included working as a herdsman, a forester (Lord Brooke, Warwick Castle) a zookeeper (primates—Birmingham Zoo) a wildfowl research warden (The Game Conservancy) and a gamekeeper (Lord Hesketh and the Marquis of Northampton respectively).
I have also trained gundogs and managed a game farm.
I designed, set up and ran a conservation/computer programme teaching in inner-city schools and have lectured on production management at the University of Falmouth.
I was a touring theatre production manager, mainly in eastern Europe and the UK, and a venue technician at The Hall for Cornwall.
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