There was no ENSA in World War 1; that idea would be implemented in WW2, thanks to the efforts of Lena Ashwell from 1914 to 1918. Lena was a classically trained musician and a leading actress during the Edwardian era. Determined to do something practical for the war effort, Lena recruited over 600 entertainers to take music, comedy, dance and drama to the fighting fronts, and spearheaded the necessary fundraising, determined that 'every note of music would be a gift from home'. Eventually her efforts spread far and wide from their beginnings at the base hospitals in France.
Views: 499 | Enquiries: 0Kate Wills spent her early career as a newspaper librarian, but over the years has also worked in theatre marketing and research, as a court usher, amanuensis, adult education tutor, bus conductress, casualty actress and since 2006 the tour guide for Northampton's stunning Victorian Gothic Guildhall and other historic buildings in the area. She has long been active in local history circles, and co-authored a number of books, including 'Life in the Boroughs' and 'Old Cures & Remedies'. Her main field of research however is the Great War 1914-18, and especially the little-explored area of entertainment on active service. 'Treading the Duckboards' relates how concert parties, already a long-established part of army life, took on a new significance on the battlefronts, and how the soldiers' home-made shows brought mirth and music to their comrades amidst the horrors of war.
Kate hopes to publish 'Treading the Duckboards' as a book. Whilst awaiting inspiration and energy, she chomps chocolate, cuddles cats and listens to The Archers.
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